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THE BUILDER MAGAZINEmarch 1915volume 1 - number 3THE MASTER'S WORD AND THE ROYAL ARCHBY BRO. S. W. WILLIAMS, GRAND HIGH PRIEST OF TENNESSEE"The MASTER'S WORD * * * is the reward of study and devotion, and has never been obtained on any other terms. It has never been conferred in the ritualistic degrees of the Lodge, and never will or can be. It is the establishment of understanding in the Soul of man between that higher self in him, and the MORE and Beyond Self from which he draws his life, and from which his intuitions spring. This is the Real Initiation: At-One-Ment." ("Mystic Masonry." by J. Buck.) Let us see. The Blue Lodge symbolizes this Life, from the Cradle to the Grave. From our entrance upon the Stage of Life's great Drama, 'till its close, when "Exeunt Omnes" is the order of the Greatest of Stage Managers, and the "Curtain of Life" is run down. The Chapter comes next in the Masonic System--capped with the Royal Arch--formerly, and we might say correctly, termed the HOLY ROYAL ARCH, for such it surely is. The Past Master's degree has no place in the Masonic System--being merely a complimentary degree-- a sort of enabling Act to qualify the Candidate for the Royal Arch degree. The Mark and Most Excellent Master's degrees are amplifications of the Work of the Blue Lodge and have no part in the consecutive work leading up to the Royal Arch in the position they now occupy. Mackey and other teachers tell us that the Royal Arch degree is the symbolic representation of the state after death. Life's vanities and follies have passed away; even the first Temple, erected with such care through Life, has succumbed, and decay and desolation only appear in its stead. Masonry is a search for Light--More and MORE LIGHT as we ascend the rounds of the Ladder--and Masonic Light is TRUTH ETERNAL. In his "Search" the Seeker will discover profound secrets of which he was previously ignorant. They had never been explained in the Lodge and NEVER WILL BE. However, they are there for all who will not only "Ask," but earnestly "Seek" for them. It must be personal, self sacrificing, painstaking and consecrated service, otherwise we shall fail in our search for these Treasures of Masonry that are never more than hinted at in the Lodge and never explained. This is one of the things that each man "must do for himself" and if not undertaken in the proper spirit, he will find the Door securely barred against him--and he will "knock" in vain. Thus, if we do not attain the FULLNESS of Light, it will be our own fault-- we have not properly used all of the "Working Tools" that were given us in the Lodge and were there so carefully explained. The Symbolism of the Royal Arch. The City of Jerusalem and its first Temple in the Royal Arch symbolize our Spiritual Natures--Pure and Innocent--fresh from the hand of our Father in Heaven. By contact with the World it becomes corrupted by Sin--crumbles under the assaults of the enemy, and we become prisoners--slaves-- just as our ancient brethren did to the Chaldeans. After a period of repentance we determine to lead a new life, and with this end in view, leave our Babylon --where we have been enchained by the Powers of Sin --to start life afresh. Our journey across the Desert, with its trials and tribulations, represents our first efforts to rebuild our Lost Character, and once more become good and true, and pure before God and Man, i.e.-- to rebuild the Temple which we have once destroyed. We struggle on--each day is fraught with cherished memories of by-gone years--and each night, as we lie down to rest beneath the Starry decked Canopy of Heaven, finds us nearer our Goal--nearer HOME. Finally, we reach the spot where we have dreamed that we shall reap our reward. There, standing on the Mount of Olives, we see --NOT the prosperous, well regulated City that we remember, with its impregnable fortifications, soaring Towers, marble Palaces and magnificent Temple erected to the Most High God, but a mass of unrecognizable ruins. At first, we are disheartened, shocked, discouraged --but, remembering our good resolutions, we turn to the God of our Fathers for strength--and then take up in real earnest our Work in Life-- willing to make any sacrifice to win, and offer unto Him our services in "Any part of the Work-- even the most difficult." Under His guidance, we are directed where to begin our labors. It is a hard task, this digging among the ruins--this removing the rubbish which Sin and Vice have fastened upon our Souls--but we bravely press on and are finally rewarded by finding the Keystone of an Arch. It is the Keystone of Faith in the Arch of God's Promises attained by Loyal and Devoted Service. We take it up and offer it to the Master, who encourages us, but tells us there is still more work for us to do if we would win the coveted prize-- this time more trying and more dangerous. We return to the scene of our labors--this time to penetrate this Arch--and, searching amid the accumulated damp and slime of years, find three squares which we take up to Him who is directing the Work. They prove to be the Squares of Virtue, Morality and Brotherly Love. We are put to a further test of our sincerity purpose and asked if we would be willing to again penetrate this Arch in search of further treasures. Our answer you well remember--and we are told "Go -- and rest assured that your valuable services will not be unrewarded." Gaining strength and courage with each successful effort, we once more return to the scene of our labors. This time we are more favored--the Sun is now in a position to shine into the Arch and we discover, in a remote corner, a strange Box, all covered with Pure Gold, upon whose top and sides are certain mysterious characters which we do not understand. We take this up and lay it before the Master -- and then is brought to Light the Treasure of the Ages -- the Long Lost M. M. Word -- the symbol of that Divine Love and Truth which passeth all human understanding. Then it is that we hear those blessed words calling us to our reward: "Well done, good and faithful servant, enter thou into that higher and holier Life, where the wicked cease from troubling and the weary findeth rest." Then we are permitted to enter "That Temple not made with hands eternal in the Heavens." We have expiated our Sin and have been forgiven -- and God has fulfilled his promise and called us Home. The Story of the Royal Arch Degree is of the Reclamation of a Lost Soul -- Redeemed by Trust in God's Love, attested by a Life of Faithful and devoted Service. Light From the East. We learn from Students of the Great School of India where many of the most ancient Mysteries are still preserved in their original purity, that, surrounding this Earth is a Circle of Darkness, and beyond that, seven Spheres of Light, corresponding to the Colors of the Spectrum--beginning with the RED and ending with the VIOLET. Beyond this, the Violet gradually fades away and merges with and into a Realm of Light of ineffable Purity and Whiteness--millions of times whiter than anything that Mortals can imagine. All of these Spheres are inhabited by the Spiritual bodies of Men. Some never get through the Realm of Blackness; others struggle onward and upward--gradually getting higher and higher in the Spheres of Color --all struggling to attain the Light which is hidden from the eyes of mortals until their Spiritual sight is prepared to behold it in all its glory. TO REVIEW--Thus, we find the Blue Lodge furnishes Rules and Precepts to be followed in this life; and concludes with the sublime lesson of Death and a Resurrection to a Glorious Immortality--a life beyond the Grave. Here the Royal Arch follows and carries the symbolism into that after life--going back far enough to connect the one with the other. St. Paul tells us "There is a Natural Body and there is a Spiritual Body."--I.Cor. XV-44. The Spiritual Body, with the Soul (its Guide) left the Physical Body at the close of the Master Mason's degree, and then passes into the "Valley of the Shadow" --the Realm of Darkness-- representing the Bondage of Sin in Babylon. Aided by the Wings of Faith in God's Promises and guided by the Star of Hope, it finally enters the first of the seven Veils of Light--the Red. Here, freed from the Bonds of Sin for the first time since childhood, it begins its journey through the Spheres with that "fervency and zeal which should actuate all Royal Arch Masons." As the journey proceeds, the Red begins to fade and merges into an Orange which betokens the first realization of hardship and weariness--and a weakening of the first flush of enthusiasm which was present at the start. We come to the "Bend of the River" and face the perils and hardships of the Desert. This is symbolized by the Yellow in the list of Colors. (A yellow flag at the Masthead of a ship at sea is a sign of sickness--of distress and suffering on board) And, were it not that the Spirit becomes stronger and Purer with each obstacle that is overcome, many would (and indeed, very many do) fall by the wayside. Fortitude, in the shape of a kindly guide, comes to our assistance and the end of the Desert journey is reached. "We shall now turn our faces to the South--passing through Syria and toward Damascus. Once more are we to feast our eyes upon GREEN Hills and fertile valleys--unforgotten through the years of exile. Grand old Lebanon comes into view, rearing its lofty peak into the azure BLUE of a tropical sky and here we find a host of Helpers-- TRUTH, CONSTANCY, FIDELITY, FRIENDSHIP and HOPE--to welcome and cheer us on our way. Passing down the Valley of the Jordan many familiar scenes greet the eye and the Spirit is filled with thankfulness at being once more permitted to view our native land. We kneel and pour forth a prayer of thanksgiving to the God of our Fathers. Presently a single ray of RED (the Color of ZEAL and enthusiasm) comes down the spheres to us with the thoughts of our years of bondage--and the RED, mingling with the Blue in its deepest shade, makes the Heartsease (Indigo Purple) with all its blessed promises of Glories yet to come. Still pressing on, we climb the Mount of Olives; and there stand in the VIOLET! All about us are the Angels of Purity and Meekness. There are blessed recollections passing to and fro like the rustle of Angels' Wings--and the Guide says "Let us press on." A PRAYERI kneel not now to pray that Thou Make white one single sin, I only kneel to thank Thee, Lord, For what I have not been-- For deeds which sprouted in my heart But ne'er to bloom were brought, For monstrous vices which I slew In the shambles of my thought. So for the man I might have been My heart must cease to mourn-- 'Twere best to praise the living Lord For monsters never born, To bend the spiritual knee (Knowing myself within) And thank the kind benignant God For what I have not been." --Harry Kemp. BEETHOVENO Psalmist of the weak, the strong, O Troubadour of love and strife, Co-Litanist of right and wrong, Sole Hymner of the whole of life, I know not how, I care not why, Thy music brings this broil to ease, And melts my passion's mortal cry Into satisfying symphonies. Yea, it forgives me all my sins, Fits life to love like rhyme to rhyme, And tunes the task each day begins By the last trumpet-note of Time. --Sidney Laniel. ----o---- "So many gods, so many creeds, So many paths that wind and wind; While just the art of being kind Is all this sad world needs." THE PHILOSOPHY OF MASONRYFive Lectures Delivered under the Auspices of the Grand Master of Massachusetts Masonic Temple, BostonBY BROTHER ROSCOE POUND, PROFESSOR OF JURISPRUDENCE IN HARVARD UNIVERSITYIII OLIVER KRAUSE'S philosophy is concerned chiefly with the relation of Masonry to the philosophy of law and government. Oliver's philosophy of Masonry deals rather with Masonry in its relation to the philosophy of religion. In order to understand this we need only note that Krause was by profession a philosopher and that the main work of his life was done in the philosophy of law and of government while, on the other hand, Oliver was a clergyman. As in Preston's case, Oliver's general philosophical ideas came to him ready-made. He flowed with the philosophical current of his time. He did not turn it into new channels or affect its course as did Krause. Hence here, as with Preston, we may conveniently consider Oliver's philosophy of Masonry under three heads: 1. The man; 2. The time; 3. His Masonic philosophy as a product of the two. 1. The man. George Oliver was born at Pepplewick in the county of Nottingham, November 5, 1782. His father was a clergyman of the established church and his mother was the daughter of a country gentleman. Hence he had the advantage of a bringing up under conditions of culture and refinement. He was educated at Nottingham and made such progress that at twenty-one he was made second master of the grammar school at Caistor in Lincolnshire. Six years later he was made head master of King Edward's grammar school at Great Grimsby. In 1813 he took orders but continued to teach. In 1815 he was given a living by his bishop as the result of an examination and at the same time, as the phrase was, was put on the boards of Trinity College, Cambridge, as a so-called ten-year man. That is he was given ten years in which to earn his degree. Thus in 1836 he was able to take his degree of doctor of divinity. In the meantime he was successively promoted to parishes of more and more importance till he became rector of Wolverhampton and prebendary of the collegiate church. In 1846 the lord chancellor gave him an easier and more lucrative living. He died in 1866 at the age of eighty four. Beginning in 1811 Oliver was a diligent student of and a prolific writer upon antiquities, particularly ecclesiastical antiquities and his writings soon brought him a high reputation as an antiquary. It is worth while to give a list of the more important of these books since taken in connection with the long list of his Masonic writings it will afford some idea of his diligence and activity. I give only those which have been considered the more important. 1. History and Antiquities of the Collegiate Church of Beverley. 2. History and Antiquities of the Collegiate Church of Wolverhampton. 3. History of the Conventual Church of Grimsby. 4. Monumental Antiquities of Grimsby. 5. History of the Guild of the Holy Trinity, Sleaford. 6. Druidical Remains near Lincoln. 7. Guide to the Druidical Temple at Nottingham 8. Remains of the Ancient Britons between Lincoln and Sleaford. To these must be added a great mass of papers and notes on antiquarian matters published between 1811 and 1866. And be it remembered the author was, while most of these were writing, a teacher studying during his leisure hours in preparation for orders and later for his degree and when the remainder were written was rector of an important parish, a magistrate, a surrogate for the bishopric of Lincoln and a steward of the clerical fund for his diocese. This sounds like one man's work and a good measure at that. To it, however, we have to add a Masonic literary career even more fruitful and more enduring in its results. Oliver was made a Mason at the age of nineteen. This statement, startling to the modern Masonic ear, requires explanation. As Masonic usage then stood a "lewis," that is the son of a Mason, might be initiated by dispensation before he came of age. The privileges of a lewis have never been defined clearly. He was supposed to have a right of initiation in precedence over all other candidates. Also in England and France he was supposed to have the right to be initiated at an earlier age, namely eighteen. The constitutions are silent on this point but the traditional custom was to grant a dispensation in the case of a lewis after that age. It is hard to say how far this usage has ever obtained in America. At present it is not recognized. But there is evidence that it obtained in the eighteenth century as, for example, in the case of George Washington who was initiated at the age of twenty. At any rate Oliver became a Mason in this way at the age of nineteen being initiated by his father in St. Peters Lodge at Peterborough in 1801. Oliver's father was a zealous and well-informed Mason and a ritualist of the literal school, that is of the type who regard literal expertness in ritual as the unum necessarium in Masonry. Accordingly Oliver was thoroughly trained on this side--which indeed is indispensable not only to Masonic advancement but, I suspect, to Masonic scholarship--and as a result of his thorough knowledge of the work and his tireless activity his rise in the Craft was rapid. In 1809 Oliver established a lodge at Grimsby where he was the master of the grammar school and chiefly by his exertions the lodge became strong and prosperous. He was master of that lodge fourteen years. Thence successively he became Provincial Grand Steward (1813); Grand Chaplain (1816); and Deputy Grand Master of Lincolnshire (1832). The latter office he held for eight years. It should be remembered that the post of Provincial Grand Master was reserved in England for the nobility. It is interesting to know in passing that the Grand Lodge of Massachusetts gave him the honorary title of Past Deputy Grand Master. The list of Oliver's Masonic writings is very long. He is the most prolific of Masonic authors and on the whole has had the widest influence. He began by publishing a number of Masonic sermons but presently as one may suspect by way of revolt from the mechanical ritualistic Masonry to which, as it were, he had been bred he turned his attention to the history and subsequently to the philosophy of the Craft. His first historical work is the well-known "Antiquities of Free Masonry: comprising illustrations of the five grand periods of Masonry from the creation of the world to the dedication of King Solomon's temple." This was published in 1823. Then followed in order: 2. The Star in the East, his first philosophical work, designed to show the relation of Masonry to religion. 3. Signs and Symbols, an exposition of the history and significance of all the Masonic symbols then recognized. 4. History of Initiation, twelve lectures on the ancient mysteries in which Oliver sought to trace Masonic initiation and ancient systems of initiation to a common origin; a matter with respect to which recent anthropological and sociological studies of primitive secret societies indicate that he may have hit the truth much more nearly than we had been supposing of late. 5. The Theocratic Philosophy of Masonry, a further development of his ideas as to the relation of Masonry to religion. 6. A History of Free Masonry from 1829 to 1840, intended as an appendix to Preston's Illustrations of Masonry which he had edited in 1829. 7. Historical Landmarks and Other Evidences of Masonry Explained, by far his greatest work, a monument of wide reading and laborous research. 8. Revelations of a Square, a bit of Masonic fiction. 9. The Golden Remains of the Early Masonic Writers, an elaborate compilation in five volumes. 10. The Symbol of Glory, his best discussion of the object and purpose of Masonry. 11. A Mirror for the Johannite Masons, in which he discusses the dedication of lodges and the two Sts. John. 12. The Origin and Insignia of the Royal Arch Degree. 13. A Dictionary of Symbolic Masonry, the first of a long line of such dictionaries. 14. Institutes of Masonic Jurisprudence. He also published a "Book of the Lodge," a sort of ritualistic manual similar to the monitors or manuals so well known today. Likewise he was a constant contributor to English and even to American Masonic periodicals. Probably no one not by profession a writer can show such a list, bearing in mind how many of the foregoing are books of the first order in their class. Unhappily Oliver's views of Masonic law were not in accord with those which prevailed in England in 1840. In consequence when in that year Dr. Crucefix, one of the most distinguished of nineteenth-century English Masons, was suspended by the Grand Lodge and retired from Masonic activity Oliver also incurred the displeasure of the authorities by claiming the right, though a Provincial Deputy Grand Master, to take part in a public demonstration in honor of Crucefix in which a large number of prominent Masons joined. This led to his losing his office by the action of the Provincial Grand Master and to his withdrawing from active connection with the Craft. But English Masons soon came to see the soundness of Oliver's views as to the independence which Masonry must allow to the individual in his belief and opinion as to what is Masonic law. Accordingly four years later nearly all the Masons in the kingdom joined in subscribing for a presentation of plate to Oliver in recognition of his great services to the Craft. But justice was not done to Oliver as it was to Preston possibly because Oliver was not the type of man to urge it for himself as Preston would have done. In consequence Oliver was out of touch with active Masonic work for the last twenty two years of his life. That this was in no way due to improper obstinacy on his part is, I think, manifest from merely looking at his portrait--which radiates benevolence and amiability. Moreover all accounts of his personality agree with the impression one gets from the portrait. All accounts bear witness to his lovableness, his geniality, his charitableness and his readiness to oblige. All who have written of him testify that he was in the highest degree unassuming, unaffected and easy of approach. That such men as Krause and Oliver should suffer from the jealousies which greater knowledge seems to engender in those who regard ability to recite the ritual with microscopic fidelity as the sum of Masonry is not wholly to be wondered at. The breadth which such knowledge inevitably brings about threatens the very foundations of the literalism which the strongest men in our lodges have been taught or have taught themselves is the essence of the institution. But it is strange and is an unhappy commentary upon human nature that the arrogant, ambitious Preston could at length obtain justice which was denied to Krause and to Oliver. Summing up Oliver's personality, everything confirms the impression which one derives from the portrait. He was a warm-hearted man, of zealous antiquarian enthusiasm, of deep faith and of thoroughgoing religious convictions. We must remember each of these traits when we come to consider his philosophy of Masonry. So much for the man. Now for the time. The dominant philosophy everywhere when Oliver wrote was what is known as romanticism. In England, which at this period was still primarily taken up with religious rather than with philosophical or scientific questions, romanticism was especially strong. Thinkers of the generation after Kant objected to his critical philosophy on the ground that it lacked vitality. They asserted that the living unity of the spirit was violated by his analyzings and distinguishings. They pointed to religious faith on the one hand and to artistic conception and creation on the other hand as methods which unlike the critical philosophy did full justice to life. In other words the age of reason in which Preston wrought and wrote was over and for a season at least men ceased to expect all things of reason, intellect and knowledge and began to expect all things of what they called spirit. The younger thinkers especially were filled with enthusiasm at this idea of deducing all things from spirit and did not see that they were simply seeking for a new philosopher's stone. They expected through the idea of the spirit to establish a complete unity of all things, to break down the existing separation between science, religion and art and to reconcile all discords. Such an idea of knowledge rightly may be called romantic. It stands before us sublime and distant. It rouses our enthusiasm or our zeal to achieve it, and influences us by its exaltation rather than by any prospect which it affords us of clear and sober realization. That a whole generation should have been content to put its ideal of knowledge in this form seems difficult to explain even by reaction from the over-rationalism of the preceding century. Probably the general upheaval brought about by the French Revolution must be taken into account and the golden age of poetry which accompanied this philosophical movement must not be overlooked. Indeed the connection between the romantic philosophers, the romantic poets and the romantic musicians is very close. It is not an accident that what I may fairly call romantic Masonry appears at the same time. This will be manifest especially when I come to speak of Oliver's views as to the relation of Masonry to religion. One of the most representative of the German romantic philosophers argued that all separation between poetry, philosophy and religion was superficial and arbitrary. He argued that while the poet regards philosophy as an expounding of the poetry of life which is to be found in all things, the philosopher regards poetry as a pictorial form, perceived intuitively, of the thought which moves in all things. But, he said, religion is a phase of the same quest for unity. Let me quote his words since they bear strongly upon Oliver's views: "If it is allowed that the task of thought is to show us the unity of all things, can philosophical endeavor differ in its essence from the religious yearning which likewise seeks to transcend the oppositions and unrest of life ?" This romantic philosophy came into England chiefly through the poet Samuel Taylor Coleridge (1772-1834) who wrote while Oliver's chief literary activities were in progress and died about six years before the most important and significant of Oliver's writings. The relation of the one to the other is so clear that a moment's digression as to Coleridge is necessary. In his youth Coleridge tells us he had been a disciple of the eighteenth-century rationalists. But he was repelled by the attempt, so characteristic of the eighteenth century, to reduce mental phenomena to elementary functions by means of analysis and to discover mechanical laws for all consciousness. If this could be done, he said, it would destroy the unity and activity of the mind. At this time he came in contact with the German romantic philosophy and turned in the new direction. Indeed he was a romanticist by nature. He revelled, it has been said, in ideas of the absolute in which the differences and oppositions of the finite world blended and disappeared. He was a poet and a preacher rather than a thinker and rarely got beyond intuition and prophecy. Hence there is more than a little truth in the saying of one of his critics that he led his generation through moonshine to orthodoxy and to a more pronounced orthodoxy than had formerly obtained. It is said that the Anglo-Catholic or Puseyite movement of the nineteenth century, which carried Newman and so many other English scholars into the church of Rome, was a result of Coleridge's ideas. What, then, were the characteristics of the philosophy of the time and place in which Oliver wrote ? 1. Speculation and imagination were the chief organs of thought. The poetic passed for the only real. Enthusiasm passed for scholarship. 2. Reason abdicated for a season. Conviction, intuition and faith were regarded as justifying themselves. 3. In the same way tradition became something which justified itself. This is seen particularly in the so-called Oxford movement and the Catholic reaction in England. It is seen also in the position of the time as to the English constitution which Dickens has satirized in the person of Mr. Podsnap. 4. Reconciliation of Christianity with philosophy became a recognized problem. For example, Coleridge took this for his chief work. All of these features may be seen in Oliver's Masonic writings. The defects of his historical writing, for example, which have utterly debased popular Masonic history are the defects of a romanticist. A warm imagination and speculative enthusiasm carried him away. In common with his philosophical teachers he had thrown off the critical method and had lost the faculty of discriminating accurately between what had been and what he would like to believe had been. On the other hand, in Masonic philosophy, where pure speculation was allowable, these qualities had a certain value. Mill says of Coleridge that his was one of the great seminal minds of his time. In the same way Oliver more than anyone else set men to thinking upon the problems of Masonic philosophy. His style is agreeable. He is always easy to read and often entertaining. A multitude of readers, who would be repelled by Krause's learned but difficult pages, have rejoiced in Oliver. Hence he has given a form and direction to Masonic speculation which still persist. Turning to Oliver's philosophy of Masonry three important points may be noted: 1. His theory of the relation of Masonry to religion; 2. His theory of Masonry as a tradition coming down to us from a pure state prior to the flood; 3. His theory of the essentially Christian nature of our institution. Let me take these up in order. 1. It has been said that reconciliation of knowledge with religion and unifying of religion with all other human activities was a favorite undertaking of the romantic philosophy. It was natural, therefore that a clergyman should be attracted to this type of thought and that a zealous churchman and enthusiastic Mason who had learned from Preston, whose book he edited, that Masonry was knowledge, should convert the problem into one of relating Masonry to religion and of reconciling them. Oliver's mode of doing this was highly ingenious. Religion and Masonry, he would say, are identical in their end and they are identical in their end with knowledge. Each is a manifestation of the spirit, the absolute, that is of God. God, he would say, is manifest to us, first, by revelation and thus manifest we know Him and know ourselves and know the universe through religion. Second, He is manifest to us by tradition, and in this way we know Him and know ourselves and know the universe through Masonry. Third, He is manifest to us through reason, and in this way we know Him and know ourselves and know the universe through knowledge or, as we have come to call it, science. In common with the romanticists he sought to throw the entire content of life into one interconnected whole; and this he found in God or in the absolute. Accordingly to him Masonry was one mode of approach to God, the other two being religion and science. If Krause's triad was law, religion, morals, given effect by state, church, Masonry, Oliver's is revelation, tradition, reason, expounded, handed down, developed and interpreted by religion, Masonry and science. 2. Oliver's theory of Masonry as a system of tradition seems to have been derived from Hutchinson. The latter deserves a moment's digression. William Hutchinson (1732-1814), an English lawyer, is perhaps the earliest Masonic philosopher. In 1774 by permission of the Grand Lodge, which then insisted upon a right to censor all Masonic writing, Hutchinson published his chief Masonic work entitled "The Spirit of Masonry." Oliver himself has said that this book was "the first efficient attempt to explain in a rational and scientific manner the true philosophy of the order." Hutchinson's doctrine was that the lost word was symbolical of lost religious purity due to corruptions of the Jewish faith. He held that the master's degree symbolized the new law of Christ taking the place of the old law of Judaism which had become dead and corrupt. By a bit of fanciful etymologsr he derived Hiram (Huram) from the Greek heuramen (we have found it) and Acacia from the Greek alpha privative and Kakia (evil)--Akakia, freedom from evil, or freedom from sin. Thus, he says, the Master Mason "represents a man under the Christian doctrine saved from the grave of iniquity and raised to the faith of salvation." Hutchinson influenced Hemming, who wrote the lectures of the Ancients and a trace of this influence may be seen in America in the interpretation of the blazing star in our lectures. Clearly enough Oliver got his cue from Hutchinson. But Hutchinson had identified religion and Masonry. This Oliver, as a clergyman of the established church, could not allow. Instead Oliver sought to unify them, that is while keeping them distinct to make them phases of a higher unity, to make them expressions of what is ultimately, though not immediately, one. This he did as has been seen by regarding each as a mode of approach to God. That conception led to his theory of Masonry as a body of tradition. Briefly stated Oliver's theory is this. He held that Masonry was to be found as a body of tradition in the earliest periods of history as recorded in Scripture. This tradition according to his enthusiastic speculations was taught by Seth to his descendants and was practiced by them as a pure or primitive Masonry before the flood. Thus it passed over to Noah and his descendants and at the dispersion of mankind was divided into pure Masonry and spurious Masonry. The pure Masonry passed through the patriarchs to Solomon and thence to the present institution. On the other hand, the pure tradition was corrupted among the pagans and took the form of the mysteries and initiatory rites of antiquity. Accordingly, he held, we have in Masonry a traditional science of morality veiled in allegory and illustrated by symbols. 3. Again taking his cue from Hutchinson, though the old charges to be true to holy church gave him some warrant--Oliver insisted that Masonry was strictly a Christian institution. He believed of course that Christianity was foretold and in a way revealed in the Old Testament and that the doctrine of the Trinity, for example, was clearly expounded therein. In the same way he held that the earliest of Masonic symbols also taught the doctrine of the Trinity and that the Masonic references to the Grand Architect of the Universe were references to Christ. Indeed in his system this was necessary. For if religion, which to him could mean only the Christian religion, and Masonry were to be unified it must be as setting before us different manifestations of the same God. There could be but one God and that triune God, the God of his religion, he held was made known to us by revelation, by tradition and by reason. Thus Oliver's interpretation of revelation determined his interpretation of the other two. If we bear this in mind we may accept his general philosophy without accepting this particular doctrine. For it needs only to postulate a more universal and more general religion than he professed, a religion above sects, creeds and dogmas to hold that such a religion along with Masonry and along with reason leads to God. Moreover Hindu and Mahommedan may each put his own interpretation on revelation and join in believing in these three modes of knowing the absolute. Mackey reproaches Oliver for narrowness and sectarianism. But the possibilities of his Masonic philosophy are as broad as could be desired. It was too soon in 1840 to ask a clergyman to go further in its application than he went. What then are Oliver's answers to the three fundamental questions of Masonic philosophy? 1. What is the end of Masonry, for what does the institution exist? Oliver would answer, it is one in its end with religion and with science. Each of these are means through which we are brought into relation with the absolute. They are the means through which we know God and his works. 2. How does Masonry seek to achieve its end? Oliver would answer by preserving, handing down and interpreting a tradition of immemorial antiquity, a pure tradition from the childhood of the race. 3. What are the fundamental principles by which Masonry is governed in achieving its task? Oliver would say, the fundamental principles of Masonry are essentially the principles of religion as the basic principles of the moral world. But in Masonry they appear in a traditional form. Thus, for example, toleration in Masonry is a form of what in religion we call charity; universality in Masonry is a traditional form of what in religion we call love of one's neighbor. As has been said, Krause's was a philosophy of Masonry in its relation to law and government. Preston's was a philosophy of Masonry in its relation to knowledge. Oliver's is a philosophy of Masonry in its relation to religion. Neither of the others has had a tithe of the influence which Oliver's philosophy has exerted upon Masonic thought. And on the whole his influence has been valuable and stimulating. A critic has said that "all he had to give was transcendental moonshine which shed a new light on old things for many a young doubter and seeker, but which contained no new life." In a sense this is so. Oliver's Masonic philosophy is an obvious product of a clergyman in the age of the romantic philosophy who had read and reflected upon Hutchinson. And yet it is not true that there is no new life in Oliver. Except for Krause nothing so well worth while has been pointed out for Masonry as the end which Oliver found for us. I cannot but feel that it is a great misfortune that his philosophy is being peddled out to a new generation in grandiloquent fragments through Grand Lodge orations and articles in the Masonic press instead of being apprehended as a whole. NAPOLEONHere was an experiment, under the most favourable circumstances. of the powers of the intellect without conscience. He did all that in him lay, to live and thrive without moral principle. It was the nature of things, the eternal law of man and the world, which balked and ruined him; and the result in a million experiments would be the same. - Emerson THE SACRAMENT"The Holy Supper is kept, indeed, In whatso we share with another's need; Not what we give, but what we share, For the gift without the giver is bare; Who bestows himself with his alms feeds three-- Himself, his hungering brother, and Me." --J. R. Lowell. The Vision of Sir LaunfalI ERNST AND FALKTRANSLATED FROM THE GERMAN OF G.E. LESSING (1778) BY LOUIS
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